Here he was preparing to leap over the hedge into the fields on the left, when he was intercepted by two horsemen, who, hearing the shouts, rode up and struck at him with the butt-ends of their heavy riding-whips. The curtain rose out of the concluding bars of the overture and revealed Isolde on the prow of the barbaric ship. ‘Don’t let us quarrel over your Leonardo,’ he said, summoning a faint smile. Widgett was a journalist and art critic, addicted to a greenish-gray tweed suit and “art” brown ties; he smoked corncob pipes in the Avenue on Sunday morning, travelled third class to London by unusual trains, and openly despised golf. Apparently, Jonathan was well acquainted with the premises; for, feeling about in the dark, he speedily discovered a ladder, up the steps of which he hurried.
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