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The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. ‘And me?’ ‘Oh, you’re mad because you wish to blow off my head. “I mean to go to that dance!” she blubbered. She wanted to turn him. “No,” she said at last; “I’m a human being—not a timid female.
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