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Kneebone, respecting the lawless career of Jack Sheppard, and struck with the probable fate that awaited him, the young man, as he contemplated this scene, fell into a gloomy reverie. Here was a poor half-naked creature, with a straw crown on his head, and a wooden sceptre in his hand, seated on the ground with all the dignity of a monarch on his throne. After a series of mental gymnastics—occupying the space of a few seconds—it came to him with a shock that here was a new specimen of the species. "Then I'll have it before to-morrow morning," said the keeper of the New Prison, to himself. "Everything has prospered with him in an extraordinary manner. "Shall I never banish those horrible phantoms from my couch—the father with his bleeding breast and dripping hair!—the mother with her wringing hands and looks of vengeance and reproach!—And must another be added to their number—their son! Horror!—let me be spared this new crime! And yet the gibbet—my name tarnished—my escutcheon blotted by the hangman!—No, I cannot submit to that. She’s naïve, and yet uncannily shrewd at times, and you daren’t rely on anything she says. You want industry—you want steadiness. Could you come to tea at my rooms one afternoon, or would you dine with me somewhere, and do a theatre? We could have a private room, of course, if you do not wish to be seen about London, and a box at the theatre. You mustn’t go clawing after a man that doesn’t belong to you—that isn’t even interested in you.
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