I went at last when I had barely a shilling in my purse to a dramatic agent. A child—as innocent as a child! Nothing about life; bemused by the fairy stories you writers call novels! I don't know what you have done; I don't care. Yet he’s been here for six years, and he’s as much a fixture as that sham mahogany sideboard. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. That is why I called myself Anna. I wish nothing at all from them. “The Miss Pellissier who was at White’s with us. She was wan and white. But threats and entreaties—even promises were ineffectual; and the unlucky captive, after exhausting his powers of persuasion, was compelled to give up the point. ’ ‘And I love the way you call me imbecile,’ finished Gerald. "And now," she added, with somewhat more composure, "leave me, dear friends, I entreat, for a few minutes to collect my scattered thoughts—to prepare myself for what I have to go through—to pray for my son.
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