” “Why did you keep her all of these years? What good can it do?” “She created me, Lucia. It was eleven o'clock. They moved fast. Manning—“one in Oxford University and one in Kensington. Springing to his feet in an ecstasy of terror, he stumbled, and had well nigh realized his worst apprehensions. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Across the blackboard the colored chalks flew like flights of variously tinted rockets as diagram after diagram flickered into being. "No matter. Neither did his interest,—which was by no means inconsiderable,—nor his general popularity, procure him the preferment he desired. I've often seen them storming the Carnegie Hall stage.
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