See what crime does, Sir. I can bear anything but suspense. Of this boy she had only caught a glimpse;—but that glimpse was sufficient to satisfy her it was her son,—and, if she could have questioned her own instinctive love, she could not question her antipathy, when she beheld, partly concealed by a pillar immediately in the rear of the woollen-draper, the dark figure and truculent features of Jonathan Wild. —"As Rowland's whole crew perished in the tempest, and he only escaped by miracle, he fancied himself free from detection. Maggot. Drummond, who had been about to speak, refrained. I admit it. "Nobody composes any more, nobody paints, nobody writes—I mean, on a par with what we've just heard. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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